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  1. Married to the Mob is a 1988 American crime comedy film directed by Jonathan Demme, and starring Michelle Pfeiffer, Matthew Modine, Dean Stockwell, Mercedes Ruehl, and Alec Baldwin. Pfeiffer plays Angela de Marco, a gangster's widow from Brooklyn, opposite Modine as the undercover FBI agent assigned the task of investigating her ...

  2. Married to the Mob (Casada con todos en España y Casada con la mafia en Hispanoamérica) es una película del año 1988, dirigida por Jonathan Demme y protagonizada por Michelle Pfeiffer y Matthew Modine.

  3. 19 de ago. de 1988 · Married to the Mob: Directed by Jonathan Demme. With Paul Lazar, Alec Baldwin, Captain Haggerty, Marlene Willoughby. A mobster's wife hates her lifestyle, but gets a chance to change it when her husband is killed - if the Long Island mob and the FBI let her.

    • (20K)
    • Comedy, Crime, Romance
    • Jonathan Demme
    • 1988-08-19
  4. I sat down with actress Mercedes Ruehl during the 1993 press tour for "Lost in Yonkers." We talked about that movie, plus some of her early jobs, her though...

    • 7 min
    • 184
    • take2markTV
  5. Ruehl is known for her leading performance in the play Lost in Yonkers (1990) and supporting performance in the film The Fisher King (1991). Her other film credits include Big (1988), Married to the Mob (1988), Last Action Hero (1993), Roseanna's Grave (1997), Gia (1998), The Minus Man (1999) and Hustlers (2019).

  6. Demonstrating their own bent syndicate moxie, a gang of mob wives converges on Angela in the supermarket, wielding lethal carts. Mrs. Tony “The Tiger” Russo (Mercedes Ruehl) is the film’s wild card: a psychotically jealous wife who will go to any length – and does – to make sure no one else is squeezing her husband.

  7. 27 de sept. de 2022 · Mercedes Ruehl fearlessly pitches Connie Russo at a level suitable for a Jerry Lewis movie. Prone to near-psychotic violence regarding Tony’s infidelities, Connie is more volatile than any of Tony’s hoods. Her comic fury is the unpredictable factor in the third-act reversals — Connie’s fury is what everybody fears most.