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A ranking of "The Godfather of Gore's" best movies. Lucio Fulci is arguably the most underrated and under-appreciated director of all-time. As an Italian filmmaker for hire, Fulci took low budget exploitation scripts and churned out artistic genre films.
His most notable films include the Gates of Hell trilogy — City of the Living Dead (1980), The Beyond (1981), and The House by the Cemetery (1981)—as well as Massacre Time (1966), One on Top of the Other (1969), Beatrice Cenci (1969), A Lizard in a Woman's Skin (1971), Don't Torture a Duckling (1972), White Fang (1973), Four of the Apocalypse (1...
Lucio Fulci (1927-1996) Writer. Director. Actor. IMDbPro Starmeter See rank. Play trailer 3:21. The New York Ripper (1982) 2 Videos. 3 Photos. Lucio Fulci, born in Rome in 1927, remains as controversial in death as he was in life.
- January 1, 1
- Rome, Lazio, Italy
- January 1, 1
- Rome, Lazio, Italy
19 de oct. de 2020 · 10 Best Lucio Fulci Horror Films. These are the finest fright flicks from the Italian Godfather of Gore that helped earn him the title Master of Horror. By Jacob Trussell · Published on...
Lucio Fulci (Roma, Italia 17 de junio de 1927 - Roma, Italia 13 de marzo de 1996) fue un director, guionista y actor italiano [1] , conocido por sus películas Paura nella città dei morti viventi, El más allá, Quella villa accanto al cimitero, y Lo squartatore di New York.
50 titles. Sort by List order. 1. I ladri. 1959 1h 35m. 5.6 (206) Rate. An Italian-American mobster is sent back to Naples from the States. He moves to Italy with all his illegal proceeds hidden in jam jars--which fall into the wrong hands when they get to the harbour of Naples. These hands belong to people who demand their fair share.
Filmography. Lucio Fulci’s film career spread over more than forty years. He started as an assistant director and scriptwriter in the ‘50s, before becoming a director. As a filmmaker, he touched almost every genre, from comedy to horror to giallo to western. A fan of Hitchcock, he amused himself by making cameo appearances in films and ...
