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6 de mar. de 2021 · Nell Gywn: the orange girl who became a king's mistress in Restoration England. From penniless orange seller to wealthy mistress of Charles II, Nell Gwyn’s wit and charm endeared her as a darling of society and a symbol of a more fun-loving and lavish England. Hers is story of rags to riches and back again...
- Lauren Good
Nell Gwynn House, Chelsea. Though Gwyn was often caricatured as an empty-headed woman, John Dryden said that her greatest attribute was her native wit, and she certainly became a hostess who was able to keep the friendship of Dryden, the playwright Aphra Behn, William Ley, 4th Earl of Marlborough (a lover of hers), John Wilmot, 2nd Earl of Rochester, and the King's other mistresses.
2 February 1650 - 14 November 1687. The remarkable life of Nell Gwynne, most famous of the many mistresses of 'the Merry Monarch', Charles II, a classic rags to riches story, began on 2 February 1650. Nell was was the daughter of Thomas and Ellen Gwynn, her place of birth is disputed, with some sources stating Pipe Well Lane in Hereford, which ...
7 de nov. de 2018 · Orange Moll hired Nell and her older sister Rose as scantily clad "orange-girls", selling her goods to the audience. Small, slender, and shapely, with hazel eyes and chestnut-brown hair surrounding a heart-shaped face, Nell quickly caught the eye of the theatre’s leading actor, Charles Hart.
Nell Gwyn (o Gwynn o Gwynne ), nacida Eleanor, (2 de febrero de 1650-14 de noviembre de 1687), fue una de las primeras actrices inglesas que obtuvo reconocimiento público, y fue amante durante muchos años del rey Carlos II. Samuel Pepys la llamó pretty, witty Nell («bella e ingeniosa Nell»).
Nell Gwynn plot summary, character breakdowns, context and analysis, and performance video clips.
18 de feb. de 2020 · Erin Loretta Mackey (Acting 3, North River, NL) in rehearsal forNell Gwynn, presented February 24-29, 2020 at the Monument-National campus Photo Nell Gwynn - Erin Willow White is a PhD Candidate at McGill University where she researches Restoration and eighteenth-century women and theatre.
