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The Lovers I (1928), is one of a small group of pictures painted by Magritte in Paris in 1927-28, in which the identity of the figures is mysteriously shrouded in white cloth. The lovers I 1928 is in the Australian National Gallery; and the similarly titled, similarly dated and similarly sized painting The Lovers II is in the collection of ...
René Magritte. The Lovers. Paris 1928. In this unsettling image—the first in a series of four variations of Les Amants that Magritte painted in 1928—the artist invokes the cinematic cliché of a close–up kiss but subverts our voyeuristic pleasure by shrouding the faces in cloth.
COMENTARIO HISTÓRICO ARTÍSTICO DE LOS AMANTES. ANÁLISIS ICONOGRÁFICO. Nos encontramos ante una obra pictórica realizada por René Magritte, un pintor surrealista belga.
René Magritte también pudo haberlo pintado como una metáfora del deseo, del amor imposible, del amor prohibido o los amores pasados. Los amantes intentan estar unidos mediante el beso, pero no pueden sentirse porque hay un claro elemento que impide el contacto directo.
20 de ene. de 2016 · Los amantes. Dos personas sin identidad se besan tras dos velos húmedos. ¿Un amor secreto…? ¿Un amor prohibido…? ¿Dos desconocidos que se gustan sin conocerse…? ¿Lo insensible de algunos amores…? ¿El amor ciego…? El surrealista Magritte no explica nada.
7 de feb. de 2024 · In the echo of Belgian artist René Magritte ’s words, the mystique of his painting The Lovers becomes immediately apparent. At first glance, the canvas appears to depict an ordinary display of affection: a couple occupying the center of the frame, positioned against a vast, seemingly infinite void, entwined in a passionate kiss.
The Lovers, (in French Les Amants (French pronunciation: [lez‿amɑ̃])) is a surrealist painting by René Magritte, made in Paris in 1928. It's the first in a series of four variations, and in the painting two people can be seen kissing passionately with their faces covered in a white cloth hiding their identities.
