Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. La elección de Sofia. Tránsitos, umbrales y ritos de paso en Perdidos en Tokio y Maria Antonieta, de Sofía Coppola. Carolina Quiñonez Salpietro. Sofía Coppola es una de las realizadoras de cine de los Estados Unidos más interesantes de la actualidad. Su obra destaca en el panorama del cine industrial.

    • iniciar sesión

      Carolina Quiñonez Salpietro. Sofía Coppola es una de las...

  2. Redalyc.MARIA ANTONIETA DE SOFÍA COPPOLA. Vivat Academia E-ISSN: 1575-2844 vivatacademia@ccinf.ucm.es Universidad Complutense de Madrid España Sáez González, Jesús Miguel MARIA ANTONIETA DE SOFÍA COPPOLA Vivat Academia, núm. 84, abril, 2007, pp. 35-36 Universidad Complutense de Madrid Madrid, España.

    • Jesús Miguel Sáez-González
    • 2007
  3. www.mackbooks.us › products › archive-br-sofia-coppolaArchive – MACK

    REVIEWS DELIVERY & RETURNS. Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppolas personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes ...

    • Photography Books
    • MACK
  4. This essay explores five very different films that all represent adolescent girlhood in troubling and mysterious ways. Two quite recent films, The Falling (directed by Carol Morley, 2015, UK) and The Fits (Anna Rose Holmer, 2015, USA), are considered alongside three older films, Picnic at Hanging Rock (Peter Weir, 1975, Australia); Heavenly ...

    • Elaine Lennon
  5. Archive (2023) by Sofia Coppola published by MACK. Declaraciones de Sofia Coppola. Archive es el primer libro de Sofia Coppola. Lo ha publicado MACK y cubre la totalidad de su singular e influyente carrera cinematográfica.

  6. about Coppola’s knowledge of photography, but also about the subtlety of her sensibility—and became a starting point for their conversation about the look and feel of film. Sofia Coppola on Pictures A Conversation with Philip Gefter This content downloaded from 129.219.247.33 on Tue, 17 May 2022 19:30:07 UTC