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  1. Johns’s few cast objects and a few of Rauschenberg’s works, such as the goat with the tire, are beginnings. Some European paintings are related to objects, Klein’s for instance, and Castellani’s, which have unvaried fields of low-relief elements. Arman and a few others work in three dimensions. Dick Smith did some large pieces in London

  2. In Donald Judd …texts of the movement, “Specific Objects” (1965). The article laid out the Minimalist platform of stressing the physical, phenomenological experience of objects rather than representing any metaphysical or metaphoric symbolism.

  3. www.moma.org › artists › 2948Donald Judd | MoMA

    Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy.

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  4. Judd creó una gran variedad de obras descritas como "efervescentes" con la intención de desafiar el término "minimalista"; sin embargo, continúa siendo considerado el exponente líder del movimiento y el teórico más importante debido a escritos como Specific Objects (Objetos Específicos, 1964).

    • American
    • Excelsior Springs, Missouri, United States
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  5. Not sculpture or painting, Judd characterized the qualities of this new work in a 1965 essay titled “Specific Objects.” Judd assessed the importance of the paintings of Jackson Pollock, Mark Rothko, Barnett Newman, and Clyfford Still in the development of three-dimensional work and references the work of his contemporaries, such as Lee ...

  6. Donald Judd who, in his essay, "Specific Objects," spelled out this strategy. "The best new work," he declared, is "neither painting nor sculpture," but a paradoxical hybrid, like "a picture [which] stops being a picture and turns into an arbitrary object."2 The specific object only needs the third dimension in order to exist,

  7. 25 de nov. de 2021 · La muestra consta de siete trabajos representativos del espíritu de los que él llamó, desde principios de los sesenta, Specific Objects: hablamos de obras fabricadas industrialmente que se alejan de la escultura tradicional por sus formas lineales y sencillas, características de su personal lenguaje formal.