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Autumn 2012. Beatrice Warde: Manners and type. Sara De Bondt introduces a transcript of a rediscovered 1959 interview with Warde. Beatrice Warde (1900-69) was an American typographic expert who was the publicity manager for the Monotype Corporation and editor of the Monotype Recorder and Newsletter for most of her career.
12 de feb. de 2020 · Du texte comme premier miracle de l’humanité. Par Louis-Olivier Brassard. Dans son texte Le Verre de cristal paru en 1930, Beatrice Warde défend l’invisibilité comme qualité suprême de la typographie, en tant qu’elle participe à la transmission claire et limpide de la pensée (portée par le texte).
Beatrice Warde, Oliver Simon, A. F. Johnson, W. Turner Berry, Ellic Howe, James Mosley, and Lawrence Wroth,5 and they should have perused the contents of the Fleuron (1923-30), Signature (1935 54),the Penrose Annual (1895- ), the Gutenberg lahrbuch (1926- ), the Monotype Recorder (1901- ), and the new Journal of the Printing
1 de nov. de 2010 · This article examines the contested boundaries of these conceptions in Warde's time, as well as their revision and revival in recent typographic discourse. ABSTRACT A staple of typographic teaching and reference, Beatrice Warde's “The Crystal Goblet” is often assigned and cited as a straightforward statement of principle.
Frederic Warde (1894–1939) from Minnesota, who was printer at Princeton University. They had no children, separated in 1926 and divorced in 1938. Encouraged by Morison, Warde moved to London in January 1925, and between 1926 and 1930 wrote for the typographic journal The Fleuron, which was edited by Morison.
5 de nov. de 2015 · A staple of typographic teaching and reference, Beatrice Warde's “The Crystal Goblet” is often assigned and cited as a straightforward statement of principle. Yet this essay perpetuates assumptions that frame typography's cultural complicity and social constriction in terms of nature and purpose.
Beatrice Lamberton Warde (September 20, 1900 – September 16, 1969, née Beatrice Becker) was a twentieth-century writer and scholar of typography. [1] [2] As a marketing manager for the British Monotype Corporation , she was influential in the development of printing tastes in Britain and elsewhere in the mid-twentieth century and ...
