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This sumptuous production by Piero Faggioni (sets by Ezio Frigerio and costumes by Franca Squarciapino) seduced Met audiences into the enchanting world of Zandonai’s rarely heard opera.
When the Metropolitan Opera opened its ravishing new production of Zandonai’s Francesca da Rimini as a novelty of the 1983–84 centennial season, probably no one in the audience would remember the opera’s 1916 company premiere.
Becoming Francesca. Soprano Eva-Maria Westbroek, who sang the title heroine of Zandonai’s Francesca da Rimini at the Met in 2013, explains why the role is “one highlight after another.”. By Philipp Brieler.
6 de mar. de 2013 · There is no missing the sheer effort involved in the Metropolitan Opera’s revival of Riccardo Zandonai’s “Francesca da Rimini,” which opened on Monday evening for its first Met run in ...
D'Annunzio's Francesca is the enshrined object of that mystic medieval adoration which was always separated from fleshly sin by a thin veil of circumstance. In one sense she is a faint replica of Beatrice, for in the soul of Dante Beatrice is womankind, the one and eternal.
It must have taken some nerve on James Levine's part to engineer a new production of Riccardo Zandonai's Francesca da Rimini at the Metropolitan Opera. Even before the first performance, superior beings began to sniff.
5 de mar. de 2013 · For all its romantic Sturm und Drang and all its aesthetic ambition, Zandonai’s Francesca da Rimini has never been a staple at the Met. It received 11 performances in 1916 and 1917.
