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  1. This firm adapted a traditional painting relining process to the specific needs of mounting Matisse cut-outs. Matisse, who was very concerned about the long-term preservation of his cut-outs, felt that this technique was a satisfactory answer to his needs.

    • Credits

      Henri Matisse: The Cut-Outs is organized by The Museum of...

    • The Swimming Pool

      The Museum of Modern Art acquired this room-sized cut-out in...

    • About Matisse

      Henri Matisse was born in Le Cateau-Cambrésis, in northern...

    • In the Studio

      In The Studio. Henri Matisse created his cut-outs in three...

  2. www.moma.org › momaorg › sharedThe Cut-Outs - MoMA

    practice, Henri Matisse: The Cut-Outs presents new research by curators and conservators on topics including the artist’s materials and methods, his environmental ambitions for the cut-outs, as well as the tensions they suggest between fine art and decoration, between drawing and color. A collection of archival photographs, some pub-

  3. El trabajo posterior de Matisse fue hecho cortando papel brillante en figuras diferentes como animales, hojas, flores, y figuras abstractos, colocándolas en hojas grandes de papel. Hoy, vamos a recortes de papel para crear collages como Matisse. Empiece creando un marco para el collage.

  4. Matisse developed the new art form using paper and scissors. With the help of his assistants, he began creating cut-paper collages, also known as decoupage. Matisse would cut sheets of paper,...

  5. en.wikipedia.org › wiki › The_SnailThe Snail - Wikipedia

    The Snail (L'escargot) is a collage by Henri Matisse. The work was created from summer 1952 to early 1953. It is pigmented with gouache on paper, cut and pasted onto a base layer of white paper measuring 9'4 3 ⁄ 4" × 9' 5" (287 × 288 cm). The piece is in the Tate Modern collection in London.

  6. 12 de oct. de 2014 · Con la investigación en dos frentes -conservación y curatorial- esta exposición ofrece una reconsideración de los collages mediante la exploración de una serie de cuestiones técnicas y conceptuales: métodos y materiales del artista; sus aspectos ambientales; su presencia escultórica y temporal debido a la textura y ...