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  1. 15 de may. de 2024 · Paul Cézanne (born January 19, 1839, Aix-en-Provence, France—died October 22, 1906, Aix-en-Provence) was a French painter, one of the greatest of the Post-Impressionists, whose works and ideas were influential in the aesthetic development of many 20th-century artists and art movements, especially Cubism.

  2. Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN, French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th

  3. 2 de abr. de 2014 · Post-Impressionist French painter Paul Cézanne is best known for his incredibly varied painting style, which greatly influenced 20th-century abstract art. Updated: Apr 1, 2021 (1839-1906)

  4. Paul Cézanne was the preeminent French artist of the Post-Impressionist era, widely appreciated toward the end of his life for insisting that painting stay in touch with its material, virtually sculptural origins.

    • French
    • January 19, 1839
    • Aix-en-Provence, France
    • October 22, 1906
    • paul cézanne biography1
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  5. Paul Cézanne Biography. Paul Cézanne, who exhibited paintings rarely and lived progressively more in creative isolation, is considered nowadays as one of the greatest pioneers of modern art and painting, equally for the method that he evolved of putting down on canvas exactly what his eye saw in nature and for the qualities of form that he ...

  6. Paul Cézanne (1839–1906) James Voorhies. Department of European Paintings, The Metropolitan Museum of Art. October 2004. One of the most influential artists in the history of modern painting, Paul Cézanne (1839–1906) has inspired generations of artists. Generally categorized as a Post-Impressionist, his unique method of building form with ...

  7. 9 de mar. de 2022 · Paul Cézanne is best known for being a French post-impressionist painter who was interested in an art style that represented the underlying structure of his subjects through geometrical forms and the use of tonal colours to represent spatial perspective.