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  1. The Big City: Directed by Satyajit Ray. With Anil Chatterjee, Madhavi Mukherjee, Jaya Bachchan, Haren Chatterjee. Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.

    • (5K)
    • Drama
    • Satyajit Ray
    • 1963-09-27
  2. The Big City, the great Satyajit Rays first portrayal of contemporary life in his native Kolkata, follows the personal triumphs and frustrations of Arati (Madhabi Mukherjee), who decides, despite the initial protests of her bank-clerk husband, to take a job to help support their family.

    • Subrata Mazumdar
    • the big city movie 19631
    • the big city movie 19632
    • the big city movie 19633
    • the big city movie 19634
    • the big city movie 19635
  3. 13 de jun. de 2022 · The Big City, the great Satyajit Ray’s first portrayal of contemporary life in his native Kolkata, follows the personal triumphs and frustrations of Arati (Madhabi Mukherjee), who decides ...

    • 2 min
    • 935
    • avids | network
  4. The Big City (1963) U 09/27/1963 (IN) Drama 2h 16m. User. Score. What's your Vibe ? Play Trailer. Overview. Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson. Satyajit Ray. Director, Screenplay. Full Cast & Crew. Social. Reviews 1. Discussions 0. A review by Sayantan Chatterjee.

  5. Once Arati leaves the home, an occasion Ray marks with a handheld camera that follows her along a jostling street, The Big City opens up into a full-blown exercise in mid-century film feminism, a companion piece in many ways to the work of Douglas Sirk.

    • (9.1K)
    • R.D. Bansal & Co.
    • Satyajit Ray
  6. Bhambal supports his wife, his parents, his teenage sister, and his young son. Money is tight, so his wife Arati goes to work. She’s successful and enjoys it, but this nontraditional step throws the household into chaos: her in-laws initiate a “cold war” of silence.

  7. 4 de ene. de 2019 · The Big City – 1963 Satyajit Ray. A step down from the Apu trilogy and The Music Room but still true to form for Ray’s oeuvre. Observationally nuanced and best appreciated and recognized Ray’s already established great strand of work in the neorealist tradition.