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Anni Albers humbly dedicated her seminal book to “my great teachers, the weavers of ancient Peru.” In her introduction to the book, Albers wrote: “I approached the subject as one concerned with the visual, structural side of weaving . . .
10 de oct. de 2018 · As a student at the Bauhaus in Germany in the early 1920s, Anni Albers found artistic freedom in the weaving workshop, where she began to explore the technical limits of fibres and the loom as a means of expression and experimentation. Albers pioneered a tactile approach to abstraction and modernist design, and her subsequent career ...
3 de feb. de 2019 · Anni Albers (1899-1994) is the chosen artist to celebrate the Bauhaus centenary year at Tate Modern. The retrospective exhibition, Anni Albers, explores the pioneering female artist’s position within the history of abstract modernism and puts weaving in the spotlight.
Albers made her last weaving in 1968. While she refocused her energy on prints, this didn’t stop her from making textiles. She continued creating designs for industrially woven fabrics in collaboration with furniture design company Knoll.
12 de abr. de 2024 · The Art World. Anni Albers Transformed Weaving, Then Left It Behind. Her textiles are quiet revelations, but even her later prints show how restraint can generate ravishing beauty. By Jackson...
- Jackson Arn
Anni Albers was one of the leading teachers of modern weaving. She was educated at the Bauhaus in Germany and later taught design theory in its weaving workshop. In 1933, along with her husband Josef Albers, she fled the Nazi uprising in her homeland and relocated to Black Mountain College, an experimental art school in western North Carolina.
10 de oct. de 2017 · With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today.
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