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  1. 14 de oct. de 2023 · by Tom Gurney. Tom Gurney BSc (Hons) is an art history expert with over 20 years experience. Published on June 19, 2020 / Updated on October 14, 2023. Email: tomgurney1@gmail.com / Phone: +44 7429 011000. St Francis Preaching to the Birds dates to around 1297-99 and was one of Giottos largest, at 270 cm by 200 cm.

  2. St. Francis Preaching to the Birds. Giotto. Original Title: San Francesco predica agli uccelli. Date: 1297 - Series: 270 x 200 cm. Share: Tags: Christianity. saints-and-apostles. St.-Francis-of-Assisi. Tree. Picture frame. Giotto. Famous works. Added: 27 Mar, 2024.

  3. GIOTTO di Bondone. (b. 1267, Vespignano, d. 1337, Firenze) Legend of St Francis: 15. Sermon to the Birds. 1297-99. Fresco, 270 x 200 cm. Upper Church, San Francesco, Assisi. This is the fifteenth of the twenty-eight scenes (twenty-five of which were painted by Giotto) of the Legend of Saint Francis.

  4. 14 de oct. de 2023 · Sermon to the Birds, also known as St Francis Preaching to the Birds, is a religiously inspired artwork by Giotto di Bondone. Story behind the Sermon. St Francis delivers this sermon to the birds, and reminds them to speak proudly and positively about the lord. The birds swoop in to listen to his words, attentively grouped close-by.

  5. Sermon to the Birds 1297-99 Fresco, 270 x 200 cm Upper Church, San Francesco, Assisi: Legend of St Francis: 16. Death of the Knight of Celano 1297-1300 Fresco, 270 x 230 cm Upper Church, San Francesco, Assisi: Legend of St Francis: 17. St Francis Preaching before Honorius III 1297-1300 Fresco, 270 x 230 cm Upper Church, San Francesco, Assisi

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  6. Saint Francis Preaching to the Birds. Date. 1788 - 1789. Technique. Oil. Support. Canvas. Dimension. Height: 216 cm; Width: 272 cm. Series. Vida de San Francisco. Claustro de la Iglesia de San Francisco el Grande, Madrid. Provenance.

  7. He preached a sermon to the expectantly waiting birds, who only flew away after receiving his blessing. Giotto often underscores the extraordinary nature of events through the reaction of a secondary figure — in this fresco, the Franciscan friar standing behind Saint Francis raises his hand with a surprised expression on his face.