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Paprika (Japanese: パプリカ, Hepburn: Papurika) is a 2006 Japanese adult animated surrealistic science fantasy psychological thriller film directed by Satoshi Kon. The film is based on the 1993 novel of the same name by Japanese author Yasutaka Tsutsui. It is Kon's fourth and final feature film before his death in 2010.
22 de jun. de 2007 · Paprika: Directed by Satoshi Kon. With Megumi Hayashibara, Tôru Furuya, Kôichi Yamadera, Katsunosuke Hori. When a machine that allows therapists to enter their patients' dreams is stolen, all hell breaks loose. Only a young female therapist, Paprika, can stop it.
- (97K)
- Animation, Drama, Fantasy
- Satoshi Kon
- 2007-06-22
Paprika (パプリカ?) es una película animada de ciencia ficción japonesa estrenada en 2006, basada en la novela homónima de Yasutaka Tsutsui de 1993. Trata acerca de la invención de un dispositivo que tiene la finalidad de permitir la aparición de sueños lúcidos llamado "Mini DC".
28 de may. de 2022 · You're not dreaming, it really is the 15th anniversary of Satoshi Kon's masterpiece #Paprika. Witness it for yourself now on Disc and Digital - https://bit.l...
- 2 min
- 611.5K
- Sony Pictures Entertainment
Sinopsis: La psiquiatra Atsuko Chiba ha desarrollado un método de terapia revolucionario denominado "PT", un prototipo de máquina experimental gracias a la cual es posible introducirse en la mente de ...Puedes ver Paprika, detective de los sueños mediante Suscripción,Alquiler,Compra en las plataformas: Filmin,Apple TV,Amazon Video
- Japón
- Animación; Michiya Katou
- Satoshi Kon
Detective Toshimi Konakawa. Dr. Atsuko Chiba works as a scientist by day and, under the code name "Paprika," is a dream detective at night. Atsuko and her colleagues are working on a device...
- (94)
- Sci-Fi, Action, Adventure, Anime
- R
6 de ago. de 2007 · Paprika, Satoshi Kon’s (Perfect Blue, Millennium Actress, Tokyo Godfathers) latest movie, is a whimsical and imaginative journey into the concept of dreaming. As with each of his productions, Paprika is a distinctly unique and fresh film, while also retaining tones of Satoshi Kon’s usual quirkiness and style.
