Resultado de búsqueda
C. Left: Le Robot ‘Robert’ Voulait Aller à New York Mais le Passager est Trop Lourd: TWA Plane - Steps - Cap 14 Persons with Two Stewardesses. Right: Wonder Toy, Robert the Robot Sir Eduardo Paolozzi
Wittgenstein in New York (plate, folio 9) from As Is When. 1965. One from an illustrated book with thirteen screenprints. composition: 30 1/16 x 21 1/16" (76.3 x 53.5 cm); sheet: 38 x 26" (96.5 x 66.1 cm).
Wittgenstein in New York. From As is When. date created: 1964. materials: Screenprint on paper. measurements: 76.50 x 66.00 cm. object type: Work on paper. credit line: Purchased 2001. accession number: GMA 4366 K. gallery: In Storage. artwork photographed by: Antonia Reeve. see media.
11 de may. de 2019 · Guzzetti examines known and lesser known sources of the influence of Ludwig Wittgenstein on American art in the late 1960s. He first considers how the tribute to Wittgenstein by the British artist Eduardo Paolozzi was presented in New York in the mid-1960s, and...
- Francesco Guzzetti
- francesco.guzzetti@sns.it
- 2019
Eduardo Paolozzi, Wittgenstein in New York, 1965, screenprint printed in color ink on wove paper. Detroit Institute of Arts, Gift of W. Hawkins Ferry, 66.242. More by Artist
The title Wittgenstein in New York - Wittgenstein did famously visit New York. Wittgenstein was an Austrian philosopher and he was very interested in the ideas of speech, mis-communication and the philosophy of how people live together and how cities work, how culture works and that would have interested Eduardo very much.
Wittgenstein in New York (and Elsewhere) in the 1960s: From Eduardo Paolozzi to Mel Bochner. Francesco Guzzetti. The writings of Ludwig Wittgenstein were broadly studied in the United States in the 1960s (Garver 1987).
