Resultado de búsqueda
Guercino (Giovanni Francesco Barbieri) Italian. ca. 1618. Not on view. A new addition to Guercino’s youthful corpus, this powerful, boldly rendered study after the male nude model is an impressive early example of his practice of life drawing, and can be precisely associated with a small but surprisingly homogeneous group of life drawings ...
In his youth, Guercino made many drawings from nude models, often using charcoal, the traditional medium for such studies. Artists usually made such drawings from the nude, known as académies,...
Artículo de Wikipedia Referencias. Giovan (Giovanni) Francesco Barbieri (Cento, 8 de febrero de 1591 — Bolonia, 9 de diciembre de 1666), más conocido con el apodo Guercino o Il Guercino, fue un pintor barroco italiano. Representa el periodo de transición del clasicismo romano-boloñés al barroco pleno.
- Italian
- Cento, Italy
Overview. Signatures, Inscriptions, and Markings. Provenance. Exhibition History. References. Title: The Virgin Immaculate. Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna) Date: ca. 1656. Medium: Pen and brown ink, brush and light brown wash; framing outlines in pen and brown ink.
Pintor y dibujante italiano. Guercino fue uno de los artistas italianos más aclamados en la primera mitad del siglo XVII. Había nacido en la localidad de Cento, de la provincia de Ferrara, que siete años después fue anexionada a los Estados Pontificios.
1591 - 1666. Giovanni Francesco Barbieri was called Guercino in reference to his pronounced squint. He was the leading Bolognese painter after the death of Guido Reni. His earlier pictures typically combine the chiaroscuro effects of Caravaggio with a charm and softness not usually found in followers of this artist.
Overview. Signatures, Inscriptions, and Markings. Provenance. Exhibition History. References. Title: The Raising of Lazarus. Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna) Date: ca. 1619. Medium: Pen and brown ink, brush and brown wash, over traces of black chalk.
