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Georges-Pierre Seurat [ʒɔʁʒ pjɛʁ sø'ʁa], född 2 december 1859 i Paris i Frankrike, död 29 mars 1891 i Paris, var en fransk målare, neoimpressionismens upphovsman. Asteroiden 6678 Seurat är uppkallad efter honom.
Georges Seurat. Also known as. Georges Pierre Seurat, Georges-Pierre Seurat, 乔治·修拉. Date of birth. 1859. Date of death. 1891. Inspired by recently published research in optical and color theory, Georges Seurat distinguished his art from what the Impressionists considered a more intuitive painting approach by developing his own ...
Georges Seurat. Letter to Félix Fénéon. June 20, 1890 [Bibliothèque Nationale, Paris; drafts in the Morgan Library, New York, and the De Hauke archives; published in Ref. Herbert 1991], sets down the chronology of the evolution of La Grande Jatte; in the Morgan draft, states that both the studies and the final painting were begun on Accension Day, 1884.
Georges Seurat's paintings allow us to reexamine Seurat's theories and their central role in the short-lived Neo-impressionist movement. Although artists and critics alike regarded Seurat as the inventor and leading artist of Neo-impressionism, the ebullient Signac was the more effective propagandist for the movement, and Dubois-Pillet was the group's best organizer within the indépendantes.
Georges Seurat: 11 works. '"I see only science." Dissatisfied with the technique of the Impressionists, which he considered spontaneous and unmethodical, Seurat turned to color theory and optics to develop his own method of painting, which he called Divisionism.'. 'By 1877, art-student Seurat had advanced from copying ancient sculptures and ...
Georges Seurat. 1st ed. New York, [1968], pp. 68–69, ill. (color), dates it about 1882; notes that the "stiffly vertical tree" in the foreground later appears in "La Grande Jatte" (Art Institute of Chicago), "The Seine at Courbevoie" (Private collection), and other works.
Georges-Pierre Seurat (Paris, 2 de dezembro de 1859 — Paris, 29 de março de 1891) foi um pintor e pioneiro do movimento pontilhista, também chamado divisionismo. A personalidade artística de Seurat era contraposta por qualidades supostamente opostas e incompatíveis: de um lado, a sua sensibilidade extrema e delicada; do outro, uma paixão pela abstração lógica e uma precisão ...
