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Superman (Christopher Reeve) foils the plot of terrorists by hurtling their nuclear device into outer space, but the bomb's shock waves free the Kryptonian villain General Zod (Terence Stamp) and ...
- (60)
- Adventure, Sci-Fi, Fantasy, Action
- PG
Led by General Zod, the Kryptonians take control of the White House and partner with Lex Luthor to destroy Superman and rule the world. But Superman, who attempts to make himself human in order to get closer to Lois, realizes he has a responsibility to save the planet. Three escaped criminals from the planet Krypton test the Man of Steel's mettle.
Superman II is the 1980 sequel to the 1978 feature film Superman. It was the only Superman film to be helmed by two directors. For this reason the film is surrounded with controversy since original director Richard Donner had completed, by his estimation, roughly 75% of the movie in 1977 before being taken off the project. Many of the scenes shot by second director Richard Lester (who had been ...
Superman II (1981-06-19T12:00:00+00:00) El romance de el Hombre de Acero con Lois Lane comienza a florecer justo cuando tres villanos de Krypton, quienes tienen poderes igual de fuertes que Superman, llegan a la tierra con la intención de destruir el planeta.
Tři zločinci z planety Krypton (Terence Stamp, Sarah Douglas a Jack O'Halloran), nevědomky propuštěni z vězení Phantom Zone, plánují zotročit Zemi, právě když se Superman (Christopher Reeve) rozhodne ukázat Lois Laneové (Margot Kidder) svou romantičtější stránku. Gene Hackman (jako Lex Luthor) se také vrací z prvního ...
23 de mar. de 2021 · Donner, autor del 75% de las escenas del 'Superman II' que terminaría firmando Richard Lester, abandonó el rodaje de la secuela tras desacuerdos con la producción. Siempre ha sido algo más o menos habitual que surjan diferencias entre directores y productores, y que estas lleven a modificaciones, más o menos notables, de sus trabajos.
Superman II is a success, a stirring sequel to the smash of '79. Whether you will prefer it to the original is like choosing between root beer and Fresca. They're both bubbly, but the flavor is different. What the follow-up doesn't have is the epic lyricism of Richard Donner's version; it's harder edged, fleeter on its feet, less reverential.
