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  1. Edward Radclyffe, 2nd Earl of Derwentwater (1655 – 29 April 1705) was an English peer, styled Viscount Radclyffe from 1688 to 1695. He inherited the earldom from his father, Francis Radclyffe, 1st Earl of Derwentwater in 1697. His mother was Catherine Fenwick, daughter of Sir William Fenwick. On 18 August 1687 he had married Lady Mary Tudor ...

  2. Biography. Edward Ratcliffe, 2nd Earl of Derwentwater was the son of Francis Radclyffe, 1st Earl of Derwentwater and Catherine Fenwick. He married Lady Mary Tudor, daughter of Charles II Stuart, King of Great Britain and Mary Davies, on 18 August 1687. He was also known as Edward Radclyffe. He succeeded his father as of 2nd Earl of Derwentwater.

  3. When Edward Radclyffe, III Earl of Derwentwater was born on 9 December 1655, in Cumberland, England, United Kingdom, his father, Francis Radclyffe, was 31 and his mother, Katherine Fenwick, was 26. He married Lady Mary Tudor Stuart 2nd Countess of Derwentwater on 18 August 1687, in Little Parndon, Essex, England, United Kingdom.

  4. Edward Radclyffe - Stag at the Edge of a Pond - B1998.14.281 - Yale Center for British Art.jpg 1,920 × 1,495; 596 KB Entrance to Euston Station on the London and Birmingham railway.jpg 3,368 × 1,527; 2.25 MB

  5. 8 de may. de 2024 · Edward Radclyffe (1810 - 1863) RA Collection: People and Organisations. Engraver of landscapes and figures. Son of engraver William Radclyffe; brother of painters William Radclyffe and Charles Walter Radclyffe. Profile. Born: 1810. Died: 1863.

  6. Edward Radclyffe: A fine Victorian era engraver, Edward Radclyffe studied engraving techniques under his father, William Radclyffe (1780-1855). After assisting his father in engraving for a number of years he moved to London in 1842 and was commissioned by both the Art Journal and the Art Union of London.

  7. Edward Radclyffe: A fine Victorian era engraver, Edward Radclyffe studied engraving techniques under his father, William Radclyffe (1780-1855). After assisting his father in engraving for a number of years he moved to London in 1842 and was commissioned by both the Art Journal and the Art Union of London.

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