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Sort by List order. 1. The Leopard. 1963 3h 6m PG. 7.9 (29K) Rate. 100 Metascore. The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860s Sicily. Director Luchino Visconti Stars Burt Lancaster Alain Delon Claudia Cardinale.
15 de abr. de 2024 · Luchino Visconti (born Nov. 2, 1906, Milan—died March 17, 1976, Rome) was an Italian motion-picture director whose realistic treatment of individuals caught in the conflicts of modern society contributed significantly to the post-World War II revolution in Italian filmmaking and earned him the title of father of Neorealism. He also established himself as an innovative theatrical and opera ...
Best Luchino Visconti Films: Journey through the lush, emotionally charged films, like The Leopard, Death in Venice, and Rocco & His Brothers
15 de jul. de 2018 · Luchino Visconti, Architect of Neorealism. Born in his ancestral palazzo, situated in the same Milanese square as both the opera house La Scala and the Milan Cathedral, Luchino Visconti (1906 - 1976) was raised under the auspices of aristocratic privilege, theater and Catholicism. This triangulation of monuments would create an equally titanic ...
Luchino Visconti: Directed by Carlo Lizzani. With Björn Andrésen, Laura Antonelli, Tina Apicella, Helmut Berger. Actors who worked with and knew Luchino Visconti are interviewed about his life.
27 de jun. de 2018 · d. 17 March, 1976, Rome, Lazio, Italy. Count don Luchino Visconti di Modrone was born to a life of respectability, authority, and affluence. This noble upbringing, and what it could afford, had an undeniable, everlasting impact on his life and career. His early exposure to art, literature, music, theatre, and, perhaps most of all, opera, befit ...
LUCHINO VISCONTI Italy, 1976. The final film by Luchino Visconti ( La terra trema, The Leopard) offers a welcome return to the resplendent period dramas that followed his neorealist period. Visconti was an aristocrat with Marxist tendencies, and L’innocente is a sublime critique of the immoral excesses of the upper classes.
