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  1. Sherwood Anderson (född 13 september 1876 i Camden, Ohio; död 8 mars 1941 i Colón, Panama) var en amerikansk författare. Biografi [ redigera | redigera wikitext ] Anderson föddes och växte upp i en fattig och bohemlevande hantverkarfamilj.

  2. 8 de jun. de 2021 · Il nome di Sherwood Anderson (1876-1941) lo potete trovare in qualsiasi enciclopedia e tutte le storie della letteratura lo riconoscono come uno degli scrittori più importanti della narrativa americana, ma l’impressione è che sia un autore confinato nelle antologie e negli studi riservati agli addetti ai lavori.

  3. 25 de may. de 2021 · By NASRULLAH MAMBROL on May 25, 2021. Sherwood Anderson’s story “Hands” might be called a portrait. Like a formal painted portrait, it not only depicts Wing Biddlebaum, the central figure, as he exists but also uses background props to reveal his past and define his circumstances. Wing’s hands are the focal image of the portrait.

  4. シャーウッド・アンダーソン(Sherwood Anderson, 1876年 9月13日-1941年 3月8日)は、アメリカの作家。. アメリカ的な土着性とヨーロッパ的モダニズムとの複合を試みたアンダーソンの作品がアメリカ文学史上に占める位置は大きく、親交のあった作家のウィリアム・フォークナーは彼について「我々 ...

  5. 23 de may. de 2021 · Sherwood Anderson published his third short story collection, The Triumph of the Egg, which contains “The Egg,” in 1921. Narrated retrospectively by the nameless son, now an adult, the story of his father contains in its first paragraph the seeds of the unhappy tale that follows: His father, says the narrator, was perfectly happy with his life as a farmhand until he learned ambition.

  6. materialdelectura.unam.mx › indices › 175-077Num.77 Sherwood Anderson

    Sherwood Anderson Selección, nota introductoria y traducción de Ana Rosa González Matute. VERSIÓN PDF

  7. Sherwood Anderson, am 29. November 1933 von Carl van Vechten porträtiert. Sherwood Anderson (* 13. September 1876 in Camden, Ohio; † 8. März 1941 in Colón, Panama) war ein US-amerikanischer Schriftsteller. Insbesondere sein Werk Winesburg, Ohio aus dem Jahr 1919 gilt als bedeutender Klassiker der amerikanischen literarischen Moderne .

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