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This two-CD set, featuring the same choir, orchestra and (with one exception) soloists, was recorded in the chapel of Trinity College, Cambridge, in January this year, within the season of Epiphany and only weeks after the St John’s performance for Christmas 2012.
Our most experienced trebles frequently perform as soloists in operas, concerts, on TV and on film soundtracks. OPERA Miles in Britten’s The Turn of the Screw is arguably the most challenging operatic role for a boy treble and we have a proud association with this opera. Our roll of honour includes providing the Miles for productions at Aldeburgh (2009, 2015), Mexico Opera (2011), Grimeborn ...
Furthermore, despite the excellent work that was being done by the likes of the English Baroque Soloists, at that time one couldn’t take for granted that a period instrument ensemble would play Bach with polish and sensitivity.
Once again Stephen Layton conducts the Orchestra of the Age of Enlightenment, Polyphony, and a stunning team of soloists as part of the St John's Smith Square Easter Festival, on Good Friday 7 April Duruflé Requiem - Trinity College Choir with Stephen Layton
In respect of earlier recordings this addition is no less notable for the quality of its instrumentalists or for the classy line-up of soloists. But, in its forty or so young voices from Trinity College, the luxury is having one of the finest collegiate choirs around and which, under Stephen Layton’s meticulous preparation, produces an exceptionally refined quality.
Handel - Chandos Anthems - vol 2 > See recording details... This second volume in Stephen Layton’s and the Choir of Trinity College Cambridge’s survey of Handel’s Chandos Anthems is every bit as good as the first (reviewed in May 2009), with an outstanding solo line-up and compelling, razor-sharp performances.
Handel - Chandos Anthems, Vol.1 - International Record Review > See recording details... The disc’s cover bears no claim to being the first instalment of a complete recording of the anthems Handel composed in 1717 and 1718 for James Brydges, then known as the fabulously rich Earl of Carnarvon but remembered by posterity as the profligate first Duke of Chandos.
