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  1. All Saints, Margaret Street, is a Grade I listed Anglo-Catholic church in London. The church was designed by the architect William Butterfield and built between 1850 and 1859. It has been hailed as Butterfield's masterpiece [1] and a pioneering building of the High Victorian Gothic style that would characterize British architecture from around ...

  2. Butterfield's drawings and estimates partially document 25 architectural projects (churches, schools, and hospitals), and 67 drawings are designs for ecclesiastical objects. British architect. William Butterfield architectural and design drawings, 1838-1896 | Research Collections | Getty

  3. William Butterfield (ur. 7 września 1814 w Londynie, zm. 23 lutego 1900 tamże) – angielski architekt neogotycki. Życiorys. Projekty ...

  4. 10 ‘The Life and Work of William Butterfield’, Architect, 83 (1910), pp. 129-30 and 145-47 (pp. 145-46). Swinfen Harris refers (p. 145) to Butterfield’s ‘forceful methods as an admirable and voluminous correspondent; he not only wrote long and very scholarly letters, but every word of them had its due place, weight and measure most exactly apportioned’.

  5. 4 de ene. de 2011 · Butterfield's bold experiments with polychromy had major importance. As Paul Thompson explains, “As the test case of Ruskin's theory, All Saints' in a sense influenced all the innumerable examples of constructional colour which marked the remainder of the nineteenth century spreading gradually outwards to the furthest corners of European influence and downwards through the social layers of ...

  6. Butterfield Architectural Drawing for Keble College Block No 2. No 5. Elevations. Butterfield. The original buildings of the College were designed by William Butterfield (1814-1900). Although the darling of the Tractarian movement, Butterfield was a controversial choice, as his style (a form of High Victorian Gothic) had long provoked argument ...

  7. William Butterfield Collection (023), Architect, 1814-1900 British architect William Butterfield was among the earliest and best-known proponents of Ruskinian constructional polychromy. A devout member of the Church of England, he completed much of his work under the patronage of the Ecclesiological Society and its supporters.