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  1. PORTSMOUTH, LOUISE DE KÉROUALLE, Duchess of (1649-1734), mistress of the English king Charles II., was the daughter of Guillaume de Penancourt and his wife Marie de Plaeuc de Timeur. The name of Kéroualle was derived from an heiress whom her ancestor François de Penhoët had married in 1330.

  2. 1 de nov. de 2012 · Portrait paintings of Louise de Keroual; Portrait paintings in the Auckland Art Gallery; 17th-century oil portraits of standing women at three-quarter length; 17th-century portrait paintings with dogs; Portrait paintings of women holding dogs; 17th-century oil portraits of women with dogs; Water in portrait paintings

  3. 5 de sept. de 2020 · Louise de Keroual, ancêtre de Jane Birkin et Lady Di. Née à Guilers (Finistère), près de Brest, cette duchesse devint la maîtresse du roi d’Angleterre et joua un rôle majeur dans les ...

  4. 26 de may. de 2011 · Louise de Keroual. Paperback – May 26, 2011. Quel étonnant destin que celui de cette jeune fille de la petite noblesse bretonne, montée à la cour du Roi-Soleil pour devenir demoiselle d'honneur d'Henriette d'Angleterre, belle-soeur de Louis XIV. Accompagnant cette dernière lors d'une visite diplomatique chez son frère, le roi d ...

    • Paperback
    • Alain Boulaire
  5. Louise Renée de Penancoët de Kéroualle, Duchess of Portsmouth and Aubigny (1649–1734), was born to an ancient, provincial (and impoverished) aristocratic family from Brittany. She first came to England in 1670 as Maid of Honour to Charles II’s sister, Henrietta Anne, Duchess of Orléans, who was a major supporter of the French, and therefore Catholic, cause.

  6. 12 de ago. de 2021 · Portrait paintings of Louise de Keroual; 17th-century portrait paintings in the National Portrait Gallery, London; 1682 oil on canvas paintings in the United Kingdom; 1682 portrait paintings of women; 17th-century oil portraits of sitting women at three-quarter length; 17th-century portrait paintings of women by title

  7. Louise de Kéroualle, Duchess of Portsmouth. published by Richard Tompson, after Sir Peter Lely mezzotint, 1678-1679 (circa 1671) 13 1/4 in. x 9 7/8 in. (337 mm x 250 mm) plate size, small margins