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Lola Montez (ou Lola Montès), nom de scène de Marie Dolores Eliza Rosanna Gilbert, comtesse de Landsfeld, née à Grange (comté de Sligo en Irlande) le 17 février 1821 et morte à New York (États-Unis) le 17 janvier 1861 [1], est une danseuse exotique, actrice et courtisane d'origine irlandaise, célèbre pour avoir été la maîtresse du roi Louis I er de Bavière.
Lola Montès is a visually ravishing, narratively daring dramatization of the life of the notorious courtesan and showgirl, played by Martine Carol. With his customary cinematographic flourish and, for the first time, vibrant color, Max Ophuls charts the course of Montès’s scandalous past through the invocations of the bombastic ringmaster (Peter Ustinov) of the American circus where she ...
5 de may. de 2006 · Ultimately, though, Lola Montès is sheer cinematic pleasure, and Ophuls’ inventiveness is evident in every frame. Truffaut notes that CinemaScope is “here used to the maximum of its potential for the first time” (17) , and indeed one would be hard-pressed to find a more unusual deployment of the widescreen process than in Ophuls’ carefully crowded, overwrought framings.
From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze's writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic ...
24 de may. de 2017 · Lola Montès (1955) Events in Lola Montès’ life are related by a ringmaster (Peter Ustinov) in a circus where she’s now an object of morbid curiosity; flashbacks show her own memories. A film about objectification, patriarchy, spectacle and storytelling itself, then, is delivered with great visual panache.
27 de feb. de 2022 · Lola Montès (1955) : Max Ophüls ♥♥♥. Lola Montez (1821–61) คือหญิงสาวที่ถูกสังคมยุคสมัยนั้นตีตรา ตำหนิต่อว่าแสดงพฤติกรรมไม่เหมาะสม เพียงเพราะต้องการเป็น ...
Other articles where Lola Montès is discussed: Max Ophüls: …Earrings of Madame De), and Lola Montès (1955; The Sins of Lola Montes). Despite a weak performance by Martine Carol in the title role, and despite the fact that a heavily edited version of the film is the most common, many critics cite Lola Montès as one of the greatest…
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