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Few were as innovative as Amalia van Solms-Braunfels (1602–1675), Princess of Orange (figure 1). Under Amalia and her husband, Stadtholder Frederik Hendrik (1584–1647), Prince of Orange, the United Provinces (modern-day Netherlands) flourished as a cultural and global power.
Amalia von Solms-Braunfels as Diana.jpg 1,200 × 1,479; 367 KB Amalia van Solms and Charlotte de La Trémoïlle, by Gerard van Honthorst.jpg 5,425 × 3,996; 7.5 MB Gerard van Honthorst - Amalia van Solms-Braunfels - Smith College Museum.jpg 509 × 650; 80 KB
5 de jul. de 2007 · 1630s portrait paintings from the Netherlands (female) 1632 oil on canvas paintings in France. 1632 portrait paintings of women. 17th-century female hair fashion in art. 17th-century oil oval portraits of women at half length. 17th-century portrait paintings in France.
Cristiana Amalia de Hesse-Homburg 1 2 (en alemán: Christiane Amalie von Hessen-Homburg; 1 2 Homburg, 29 de junio de 1774 1 2 - Dessau, 3 de febrero de 1846 1 2 ) fue un miembro de la Casa de Hesse-Homburg y una princesa y landgravina de Hesse-Homburg por nacimiento. A través de su matrimonio con el príncipe heredero Federico de Anhalt-Dessau ...
15-dic-2022 - Amalia de Solms-Braunfels (31 de agosto de 1602 - 8 de septiembre de 1675), Condesa de Solms-Braunfels, fue la esposa de Federico Enrique de Orange-Nassau. Era hija de Juan Alberto I de Solms-Braunfels e Inés de Sayn-Wittgenstein. Ver más ideas sobre retratos, s xvii, siglo xvii.
Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an elegant black dress with a French collar.
Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an elegant black dress with a French collar.
