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GLORIA RV 589, 1. Gloria in excelsis Deo. Barroco (s. XVII y XVIII) Antonio Lucio Vivaldi, más conocido como Antonio Vivaldi, fue un músico y compositor del barroco tardío. Era apodado "il prete rosso" (el cura rojo) por ser cura y pelirrojo. Escribió 770 obras, de las que 447 son conciertos y 46, óperas. A nivel popular, es conocido por ...
Vivaldi ended up being responsible for sacred vocal composition at the Pietà until around 1718, despite being a violinist and an instrumental composer. An additional Gloria, RV 588 (fated to be known as “the other Gloria,” thanks to the popularity of RV 589) is almost identical to 589; Vivaldi was a big self-borrower.
In 1701 Antonio Vivaldi was appointed violin teacher at the Ospedale della Pietà – an orphanage that specialised in musical training for young girls. The choir master, Francesco Gasparini, retired in 1713 and his successor was not deemed to have been successful enough as a composer; Vivaldi was selected to provide all compositions required for the chapel.
A diferencia de Haydn, Vivaldi no era muy hábil en el contrapunto estricto, y para esta fuga se apropió de la conclusión de una reciente Gloria del compositor veronés Giovanni Maria Ruggieri. Vivaldi "tomaba prestada" la música con más frecuencia de lo que se pensaba, y de forma tan creativa como Handel lo hizo con más fama. Muy apto en ...
Description: Both of Vivaldi's Glorias make use of music from Giovanni Maria Ruggieri 's double chorus setting. RV 589 has 2 associated introduzioni for solo voice, Longe Mala, Umbrae, Terrores, RV 640 and Ostro Picta, RV 642 . External websites: Free choir training aids for this work are available at Choralia.
30 de sept. de 2014 · Simon Preston: Emma Kirkby; Judith Nelson, Catherine Bott, Christ Church Cathedral Choir Oxford, Academy of Ancient Music---The music published on this chann...
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The Gloria in D major has, more than any other work, established Vivaldi’s reputation as a composer of church music. In the compositional design of this work Vivaldi followed the same basic conception which is known from Bach’s B minor Mass : it is arranged in a large number of individual movements, some of which are for chorus, while others are solo arias or duets.
