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26 de mar. de 2018 · O'Keeffe loved bright, bold, and intense color. She would often use bright blues, yellows, greens, reds, and purples. She often painted using flat color, emphasizing the shape of her subject rather than three-dimensional form. Her paintings convey an even lighting, as though everything is painted at high noon.
Georgia O'Keeffe, Manhattan, 1932, oil on canvas, 84 3 ⁄ 8 x 48 1 ⁄ 4 in. (214. 3 x 122. 4 cm.), Smithsonian American Art Museum, Gift of the Georgia O’Keeffe Foundation, 1995.3.1 Zoom Download
9 de abr. de 2023 · Exhibition. Apr 9–Aug 12, 2023. “To see takes time,” Georgia O’Keeffe once wrote. Best known for her flower paintings, O’Keeffe (1887–1986) also made extraordinary series of works in charcoal, pencil, watercolor, and pastel. Reuniting works on paper that are often seen individually, along with key paintings, this exhibition offers a rare glimpse of the artist’s working methods ...
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist artist. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes.
14 de may. de 2024 · The Library & Archive serves the public by collecting, providing access to, and preserving information about Georgia O’Keeffe and her contemporaries, related regional histories, and Modernism. The Research Collections and Services team is available to answer questions, share resources, and help with your research projects.
Nov 15, 1887 - Mar 6, 1986. Georgia Totto O'Keeffe was an American artist. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been recognized as the "Mother of American modernism". In 1905, O'Keeffe began formal art training at the School of the Art Institute of Chicago and then ...
BestellungReproduktion. Wikipedia-Artikel Verweise. Georgia O’Keeffe (* 15. November 1887 in Sun Prairie, Dane County, Wisconsin; † 6. März 1986 in Santa Fe, New Mexico) zählt zu den bekanntesten US-amerikanischen Malerinnen des 20. Jahrhunderts. Motive ihrer an der Grenze zur gegenstandslosen Malerei angesiedelten und als Interpretation ...
