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With a background in painting, Kruchenykh moved to Moscow, and turned his interest to poetry. Here he met Burliuk, Mayakovsky and Khlebnikov, with whom he created the zaum. He married Olga Rozanova in 1912. The opera Victory over the sun gave him to opportunity to write the libretto, while Malevich designed its set.
Invierno - Asesinato sin Sangre (Winter - bloodless murder, recorded in 1949)Aleksei Kruchenykh, voiceDmitriy Nikolaev, background soundFrom the CD "Noises a...
- 1 min
- 439
- Symphony DSCH
Guro, Aleksei Kruchenykh, and Vladimir Mayakovsky), were in constant collaboration with avant-garde artists from the Union of Youth group (among them Pavel Filonov, Nikolai Kul’bin, and Olga Rozanova) in St. Petersburg and Mikhail Larionov’s group of Neo-primitivists in Moscow (Natalia Goncharova, Il’ia Zdanevich, and others). Larionov and
Aleksei Kruchenykh, Kirill Zdanevich. Uchites' khudogi! Stikhi. 1917. Aleksei Kruchenykh. Brown paper cover with lithographed manuscript text and illustration mounted on front; 16 lithographed illustrations; lithographed manuscript text includes manuscript designs by Kruchenykh. Page: 9 5/16 x 7 1/4" (23.7 x 18.4 cm). Unidentified, Tiflis. Gift of The Judith Rothschild Foundation (Anonymous ...
Aleksei Kruchenykh. Rubber-stamped text from a book with 16 lithographs (including cover), lithographed manuscript text, and rubber-stamped text. composition ...
Natalia Goncharova, Mikhail Larionov. Plate (folio 11) from Pustynniki; Pustynnitsa. Dve poemy (Hermits; Hermitess: Two Poems). 1913. Aleksei Kruchenykh. Lithograph from an illustrated book with twenty-four lithographs and lithographed manuscript texts (including front and back covers). page (each approx.): 7 1/2 × 5 9/16" (19.1 × 14.2 cm).
Some of the Futurists designed their own books and did all kinds of typographical experiments. One of the most productive writers, designers, editors and publishers of such books was Aleksei Kruchenykh (1886–1968), who only recently has been given honour where it is due.
