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  1. ABSTRACT. "L'aphorisme a contretemps" came into being in 1986 when Jacques Derrida was invited to write a piece on Romeo and Juliet for a production of the play in Paris by Daniel Mesguich, and its specificity is signaled by the irreducibly personal note with which it ends. An aphorism is a name but every name can take on the figure of aphorism.

  2. Acts of Literature Ruben Moi og Thoralf Fagertun Abstract Despite the fact that literary theory has sought new orientations since Derrida´s biblioblitz in the late 1960s and early 1970s, this article claims that the French philosopher's multiple approaches to literature indubitably mark a shift in literary hermeneutics.

  3. Jacques Derrida, Derek Attridge (ed.), ''Acts of Literature'', New York: Routledge, 1992. You cannot overwrite this file. File usage. The following page uses this file:

  4. These acts usually hinge upon a central plot point. Between each act, the curtain will fall; perhaps in the middle of the play there might be an intermission for audiences to use the restroom or buy drinks. A lot of literary production is driven by economics, after all: playwrights gotta eat, too! The acts are further divided into scenes.

  5. Both these titles are fairly late and are taken from the introductions to be found in some medieval Latin manuscripts. An Acts of Pilate was known in antiquity and mentioned in Justin, Apology, 35, 48 (ed. E. Goodspeed, Die ältesten Apologeten (Göttingen, 1914), pp. 50–1, 59–60).

  6. Paradoxically, and just as impossibly, the law of genre is also binding on that which draws genre into engendering, generations, genealogy, and degenerescence. Maurice Blanchot has often had occasion to modify the genre-designation from one version of his work to the next, or from one edition to the next. Previous Chapter Next Chapter.

  7. 5 de mar. de 2021 · Megan Nolan. The following is excerpted from Megan Nolan's debut novel Acts of Desperation, about the tensions between rebellion and submission, escaping degradation and eroticizing it, loving and being lovable. Nolan's essays, fiction and reviews have appeared in the New York Times, the White Review, and the Sunday Times, among others.

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