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Faust: Part Two: Pt. 2. Paperback – 8 May 2008. Loosely connected with Part One and the German legend of Faust, Part Two is a dramatic epic rather than a strictly constructed drama. It is conceived as an act of homage to classical Greek culture and inspired above all by the world of story-telling and myth at the heart of the Greek tradition ...
- Goethe
15 de feb. de 2018 · The first part of his masterwork, Faust, appeared in 1808, and the second part in 1832. Goethe had worked for most of his life on this drama, and was based on Christopher Marlowe's Faust. From 1791 to 1817, Goethe was the director of the court theatres.
His 1909 production of Part One in Berlin was still a Faust-Gretchen version, but innovative by its use of the revolving stage; Part Two followed in 1911. In 1917 Reinhardt became, with Hofmannsthal and Strauss, a cofounder of the Salzburg Festival, and it was in his last years here, between 1933 and 1937, that he realized an extended and more integrated conception of Part One.
12 de nov. de 2003 · Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor.
29 de jul. de 2014 · I do not believe that any other version of Faust has attempted anything quite like it."—Cyrus Hamlin, Yale University (on the earlier edition of Part One) "Goethe’s Faust is an enigmatic and perhaps barely translatable masterpiece. Its grotesque and exuberant part 2 must be the most outrageous poem in the western canon.
- Johann Wolfgang von Goethe
A master of poetry, drama, and the novel, German writer and scientist Johann Wolfgang von Goethe spent 50 years on his two-part dramatic poem Faust , published in 1808 and 1832, also conducted scientific research in various fields, notably botany, and held several governmental positions. George Eliot called him "Germany's greatest man of ...
From the shore, on swifter track, The sea wills out the ship, and back: So speak, that here, from your spire, 11225. Your arms might grip the world entire. From this place the trench was cut, Here stood the first wooden hut: A little ditch was traced from here, Where now vessels’ wakes appear. 11230.
