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16 de oct. de 2015 · Gioachino Antonio Rossini was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces. His best-known operas include the Italian comedies Il barbiere di Siviglia (The Barber of Seville) and La Cenerentola (Cinderella), and the French-language epics Moïse et Pharaon and Guillaume Tell (William Tell).
Gioachino Rossini: A Life. Operagoers were intoxicated by his frothy comic masterpieces – but at the moment of Rossini's greatest success, the Italian composer stopped writing them. Rossini was one of classical music’s great bon viveurs. A larger-than-life character with an appetite to match, he earned the admiration and friendship of ...
Gioachino Rossini war der einzige Sohn aus der Ehe des Hornisten Giuseppe Rossini (1758–1839) mit der Sängerin Anna Rossini geb. Guidarini (1771–1827). [1] Eigentlich wurde der Sohn noch am Tag seiner Geburt in Pesaro auf den Namen Giovacchino getauft, doch bekannt wurde sein Name ohne „v“, und Rossini selbst schrieb ihn fast durchwegs ...
Gioacchino Antonio Rossini, někdy i Gioachino Antonio Rossini [pozn. 1] [pozn. 2] ( 29. února 1792 Pesaro, Itálie – 13. listopadu 1868 Passy, Francie) byl italský hudební skladatel, který je známý především díky svým operní dílům, v tomto žánru ustanovil nové standardy. [6] [7] Složil také mnoho písní, několik ...
13 de may. de 2019 · Su primer éxito lo tiene en Noviembre de 1810, con 18 años, en Venecia cuando le piden hacer una obra para cubrir un hueco en el Teatro. Era cómica y corta por lo que tuvo un éxito inmediato. Y de hecho, no ha dejado de presentarse desde ese entonces. Gioachino Rossini con aproximadamente 23 años de edad.
Gioachino Rossini var en italiensk komponist mest kjent for sine mange komiske operaer, kalt opera buffa.Den aller mest kjente er «Barbereren i Sevilla» fra 1816. Hans komiske operaer har bevart Rossinis navn for all ettertid.
Gioachino Rossini’s most famous works include The Barber of Seville (1816), Cinderella (1817) and William Tell (1829). Influenced by the French, he broke traditional forms of opera using unusual rhythms and bring the orchestra to the fore, however his style was tempered by changing tastes and a move away from a more formal ‘classicist’ style to Romanticism.
