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  1. William Hogarth FRSA (/ˈhoʊɡɑːrθ/; 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranged from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", perhaps best known being his moral series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode.

  2. 24 de dic. de 2019 · William Hogarth, kendisini resim sanatının oyun yazarı olarak kabul edermiş. Karikatür gibi serili sanatların öncüsü olarak kabul edilir. Resim ve gravürleri yaşadığı toplumu hicvederek sanatta yeni bir yaklaşımın önünü açmış.Bir öğretmenin beşinci çocuğu olarak Londra’da doğmuş William Hogarth, babasının 1718’deki erken ölümünün ardından para kazanmak ...

  3. William Hogarth FRSA was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode.

  4. William Hogarth (* 10. november 1697, Londýn, Spojené kráľovstvo – † 26. október 1764, Londýn) bol anglický satirický maliar, grafik a rytec. Životopis [ upraviť | upraviť zdroj ] Narodil sa ako piate dieťa učiteľa latinčiny Richarda Hogartha.

  5. William Hogarth. Autoritratto col Carlino , 1745, olio su tela. William Hogarth ( Londra, 10 novembre 1697 – Londra, 26 ottobre 1764) è stato un pittore, incisore e autore di stampe satiriche inglese .

  6. William Hogarth. Gin Lane (1751) Tate. Humour is an important feature throughout Hogarth’s work. Gin Lane (1751) and Beer Street (1751) are a pair of prints created as propaganda in support of the new Gin Act. This law attempted to curb excessive gin-drinking by introducing a new tax on spirits.

  7. William Hogarth, Después (primera versión), 1730-1731. Antes y Después son un par de pinturas eróticas cómicas del pintor británico William Hogarth. Hizo dos versiones pintadas en 1730-1731. La primera versión muestra una escena exterior en un claro arbolado, una intencionada contraparte más explícita y real de la fête galante ...

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