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Ford Madox Brown (16 April 1821 – 6 October 1893) was a French-born British painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–65). Brown spent the latter years of his life painting the Manchester Murals ...
6 de dic. de 2023 · Navvies (detail), Ford Madox Brown, Work, 1852-65, oil on canvas, 137 x 198 cm (Manchester Art Gallery) On the left hand side, two ladies skirt the edge of the picture. The first, lady carrying a parasol, is a portrait of the artist’s Brown’s wife Emma. Following along behind is another well-dressed woman who offers a religious tract to one ...
Ford Madox Brown. date not known. View by appointment. Our Lady of Good Children Ford Madox Brown. 1847–61. The Bridgewater Canal Ford Madox Brown. date not known.
The Last of England. After Ford Madox Brown British, born France. Engraver Herbert Bourne British. Publisher Gebbie & Barrie American. 1875. Not on view. Bourne's engraving reproduces Madox Brown's celebrated painting from 1852–55, then in the collection of John Crossley from Halifax, now in Birmingham Museum and Art Gallery.
Ford Madox Brown, although never formally a member, was closely associated with the Pre-Raphaelite Brotherhood, a group of artists led by Brown's one-time pupil, Dante Gabriel Rossetti. The Brotherhood sought a return to a purer style of painting, something akin to that practised in Italy before the time of Raphael (1483–1520).
Ford Madox Brown (Calais, 16 april 1821 – Londen, 11 oktober 1893) was een Engels kunstschilder, later ook illustrator en ontwerper van meubels en gebrandschilderd glas voor het bedrijf van William Morris.
18 de dic. de 2023 · Ford Madox Brown, The Last of England, 1855, Birmingham Museum & Art Gallery, Birmingham, UK. Detail. Emigration was a very personal theme for Ford Madox Brown . When he was creating The Last of England, he too was also considering to emigrate to seek a better life. Brown was not a successful artist in the 1850s, and the lure of a better future ...
