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MARY'S, Director Leo McCarey, Ingrid Bergman, Bing Crosby, the 3 Academy Award Winners for 1944, are reunited & filming a scene, 4/6/1945 PROSPERITY, Polly Moran, Marie Dressler, 1932 GOING MY WAY ...
The Awful Truth. In this Oscar-winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne exude charm, cunning, and artless affection as an urbane couple who, fed up with each other’s infidelities, resolve to file for divorce. But try as they might to move on, the mischievous Jerry can’t help meddling ...
Directed by Leo McCarey • 1939 • United States. Starring Irene Dunne, Charles Boyer, Maria Ouspenskaya. Golden-age Hollywood’s humanist master Leo McCarey brings his graceful touch and relaxed naturalism to this sublime romance, one of cinema’s most intoxicating tear-wringers. Irene Dunne and Charles Boyer are chic strangers who meet ...
Leo McCarey. “I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theater than when it came in.”.
Leo McCarey, who had left the Hal Roach Studio in 1929 to become a freelance director, made films for several independents including Joseph Schenck (Indiscreet, 1931) and Sam Goldwyn (The Kid From Spain, 1932). McCarey hit pay dirt at Paramount directing the Marx Brothers in Duck Soup (1933), and at Columbia with the blockbuster The Awful Truth ...
Thomas Leo McCarey was an American film director, screenwriter and producer. During his lifetime he was involved in nearly 200 movies, especially comedies. French director Jean Renoir once said that “Leo McCarey understood people better than any other Hollywood director.” Born in Los Angeles, California, he graduated from the University of Southern California law school […]
Aclamado melodrama romántico cuyo éxito -obtuvo 6 nominaciones al Oscar- propició dos remakes posteriores alrededor de la misma historia: la casi idéntica "Tú y yo" (An Affair to Remember, 1957), también dirigida por Leo McCarey y protagonizada por Cary Grant y Deborah Kerr, y la versión más moderna -y algo más libre en su argumento- "Algo para recordar" (Sleepless in Seattle, 1993 ...
