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Walter Wager. Walter Herman Wager [1] (September 4, 1924 – July 11, 2004) [1] was an American crime and espionage-thriller novelist and former editor-in-chief of Playbill magazine. The movie Telefon, starring Charles Bronson, was inspired by his novel of the same name. His book 58 Minutes was adapted into Die Hard 2, starring Bruce Willis .
Budget. $523,869 [1] Box office. $598,384 [1] 52nd Street is a 1937 American drama film directed by Harold Young and starring Ian Hunter. Leo Carrillo and Pat Paterson. An independent production by Walter Wanger it was distributed by United Artists. It portrays the rise of 52nd Street in Manhattan as a major hub of nightclubs in the 1930s.
La quercia dei giganti. La quercia dei giganti ( Tap Roots) è un film del 1948 diretto da George Marshall . È un film drammatico a sfondo western statunitense con Van Heflin, Susan Hayward e Boris Karloff. È basato sul romanzo del 1942 Tap Roots di James Street. È ambientato durante la guerra di secessione americana negli anni 1860 ed è ...
Walter Wanger (July 11, 1894 – November 18, 1968) was an American film producer active in filmmaking from the 1910s to the turbulent production of Cleopatra in 1963. Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. Strongly influenced by European films, Wanger began at ...
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I Want to Live! I Want to Live! is a 1958 American independent [3] biographical film noir drama film directed by Robert Wise, and starring Susan Hayward, Simon Oakland, Virginia Vincent, and Theodore Bikel. It follows the life of Barbara Graham, a prostitute and habitual criminal, who is convicted of murder and faces capital punishment.
Auszeichnungen. 1941 war der Film für sechs Oscars nominiert, konnte jedoch keinen der Preise gewinnen. Nominiert waren Walter Wanger als Produzent für den besten Film, Albert Bassermann als bester Nebendarsteller, Charles Bennett und Joan Harrison für das beste Originaldrehbuch, Rudolph Maté für die beste Kamera (s/w), Alexander Golitzen für das beste Szenenbild (s/w) sowie Paul Eagler ...
