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6 de ene. de 2015 · Born Margaret Macdonald, at Tipton, near Wolverhampton, her father was a colliery manager and engineer. Margaret and her younger sister Frances both attended the Orme Girls’ School, Newcastle-under-Lyme, Staffordshire. Their names occur in the school register. In the 1881 census Margaret, aged 16, was said to be a scholar.
Margaret Macdonald (1864-1933) was a Scottish artist who was specialized primarily in Design. She spent most of her art career collaborating with other artists, and her collaboration work has brought a lot of scrutiny as to whether she was as skilled an artist as some claim or if she simply clung onto the success of her very skilled husband, Charles Rennie Mackintosh.
Margaret MacDonald was born in 1815 in Port Glasgow, Scotland and died around 1840. She lived with her two older brothers, James and George, both of whom ran a shipping business. [1] Beginning in 1826 and through 1829, a few preachers in Scotland emphasized that the world's problems could only be addressed through an outbreak of supernatural gifts from the Holy Spirit. [2]
Margaret Macdonald Mackintosh Nacimiento: 5 de noviembre de 1864 ; Tipton, United Kingdom Fallecimiento: 7 de enero de 1933 ; Chelsea, London, United Kingdom
Known for. Decorative Arts, Design, Art. Movement. Art Nouveau, Glasgow Style, Symbolism. Spouse. Charles Rennie Mackintosh. Margaret Macdonald Mackintosh (5 November 1864 – 7 January 1933) was an English-born artist who worked in Scotland, and whose design work became one of the defining features of the Glasgow Style during the 1890s to 1900s.
12 de mar. de 2019 · Margaret Macdonald. Margaret Macdonald nació en Staffordshire (Inglaterra) en 1864, hija de un ingeniero que dirigía una mina de carbón, estudió con su hermana Frances en la Orme Girls’ School de Newcastle. En 1890 su familia se estableció en Glasgow y las hermanas entraron a estudiar artes decorativas en la Escuela de arte de Glasgow.
In 1912 Macdonald exhibited the work alongside two other watercolours in Edinburgh. They were very well received with a reviewer for The Glasgow Herald considering them “decoratively exotic fantasies born as it were in another sphere”.
