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Gus van Sant's three films, Gerry, Elephant and Last Days, are, in essence, a trilogy, linked by their common structures, compositions, and representations of death. In this paper, I will analyze these similarities and discuss the treatment of each film's central event. Van Sant's early career showed a unique experimentation with story ...
21 de jul. de 2023 · Van Sant took home the Palme d’Or and Best Director prize at the 2003 Cannes Film Festival for this haunting, highly-divisive Columbine recreation, the middle entry in his “Death Trilogy ...
Death Trilogy. Death Trilogy can refer to. Films of Alejandro González Iñárritu. Films of Gus Van Sant. An omnibus collecting Terry Pratchett's first three Death novels: Mort, Reaper Man and Soul Music.
7 de ago. de 2017 · Van Sant’s work is often characterized by its deliberate pacing, where he sets a meditative tone filled with long shots of characters and settings. His “Death Trilogy”–comprised of the films Gerry, Elephant, and Last Days–are perhaps the epitome of Van Sant’s sometimes glacial pacing, but of the three Gerry challenges the audience’s patience with this technique.
7 de ene. de 2020 · Best film: Elephant. I think all of Van Sant’s top 4 films have a case here but as much as I admire the other three- Van Sant’s death trilogy (more below) is what separates him from being just a really good director (and makes him an ambitious auteur) and Elephant is the best of the death trilogy. The rolling tracking shots, non ...
2 de jun. de 2018 · The second in Van Sant’s ‘Death Trilogy’, this film is set in a high school where two students take to arms and open fire in their school. Loosely drawing inspiration from the 1999 Columbine High School massacre, this film focuses on three main characters. Alex and Eric are two frustrated kids who are constantly bullied at school.
7 de feb. de 2006 · The art of Last Days, and all three of the films in Gus Van Sant’s trilogy on death, is the art of capturing and observing man before his inevitable demise. The long takes of the humans that inhabit the cinematic realities of Gerry, Elephant and Last Day s are the final beams of light that enter the lens of the camera before these characters ...
