Resultado de búsqueda
Jacques Bizet (10 July 1872 – 3 November 1922) was a French physician and businessman best known for his long friendship with novelist Marcel Proust. He was the son of composer Georges Bizet, who died when the boy was three and before his works gained success. His mother was Geneviève Halévy, who became known as a literary hostess.
Jacques Bizet (né à Paris 9e le 1 et mort le ) est un médecin français, surtout connu comme étant un ami de jeunesse de Marcel Proust. Il est le fils du compositeur Georges Bizet (de nom de famille Alexandre César Léopold Bizet) et de son épouse, la salonnière Geneviève Halévy (1849-1926) et le cousin de l'historien et essayiste Daniel Halévy .
Georges Bizet (1838-1875) nació el 25 de octubre de 1838 en París. Hijo de un peluquero y profesor de canto y de una pianista, pronto mostró afición por la música, recibiendo las primeras lecciones de sus padres y especialmente de su tía, que le enseñó los fundamentos de solfeo y armonía.
Jacques Bizet (nacido el 10 de julio de 1872 y muerto el 3 de noviembre de 1922) es un médico francés, más conocido como amigo de la infancia de Marcel Proust. Es hijo del compositor Georges Bizet y su esposa, la salonnière Geneviève Halévy (1849-1926) y prima del historiador y ensayista Daniel Halévy .
Georges Bizet (né Alexandre César Léopold Bizet; 25 October 1838 – 3 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen , which has become one of the most popular and frequently performed works in the entire ...
Le Zèbre was a French make of car [1] built between 1909 and 1931 in Puteaux, Seine. The company was founded by Jules Salomon and Georges Richard initially with finance from Jacques Bizet, son of Georges Bizet the composer. [2] Le Zebre. Share of the SA des Automobiles Le Zèbre, issued 26.
In 1872 Genevieve was delivered of a son, Jacques. Still buoyed by this happy event, Bizet completed the music for L'Arlésienne and it went into production. The score is one of Bizet's most subtle, intriguing and rewarding, though it is virtually never heard in its original context – as incidental music to a play which is where it works best.
