Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Robert Yeoman. "Drugstore Cowboy" is one of the best films in the long tradition of American outlaw road movies - a tradition that includes "Bonnie and Clyde," "Easy Rider," "Midnight Cowboy" and "Badlands." It is about criminals who do not intend to be particularly bad people, but whose lives run away with them.

  2. Starring Matt Dillon in one of the best roles of his career, Drugstore Cowboy is an empathetic portrait of addiction that, while harrowing, is pervaded by cynical humor. Bob Hughes is the leader of a “family” of drug users consisting of his wife, Dianne, and another couple who feed their habit by robbing drug stores as they travel across the country.

  3. Drugstore Cowboy è un film del 1989 scritto e diretto da Gus Van Sant, tratto da un romanzo autobiografico di James Fogle scritto in carcere (pubblicato in Italia da Elliot Edizioni nel 2008). Nella piccola parte di un prete tossicodipendente c'è lo scrittore William S. Burroughs , con cui nel 1991 Van Sant realizzerà il cortometraggio sperimentale Thanksgiving Prayer .

  4. Drugstore Cowboy es una película dirigida por Gus Van Sant con Matt Dillon, Kelly Lynch. Sinopsis : A través de una concienzuda y auténtica representación del mundo de la drogadicción, la ...

    • 1 min
  5. In 1971, in Portland, Bob, his girlfriend Dianne and his friends Rick and his girlfriend Nadine are smalltime thieves of drugstores and hospitals. They spend their lives drugged and Bob is chased by the abusive police detective Gentry (James Remar). They decide to move to another city and soon Nadine has an OD, affecting Bob that decides to ...

  6. Gus Van Sant se consagrou como uma voz marcante no cinema independente contemporâneo com este segundo longa eletrizante. Estrelado por Matt Dillon em um dos melhores papéis de sua carreira, Drugstore Cowboy é um retrato empático do vício que, embora angustiante, é permeado por um humor cínico.

  7. Boston Globe. Drugstore Cowboy, Gus Van Sant's fresh, gutsy societal underbelly film, never wallows in picturesque down-and-outism, except at the end, when Dillon's character, frightened by the death of a girl he didn't like much and spooked by his own paranoiac suspicion, checks into a seedy hotel while trying to go cold turkey and not yield ...