Resultado de búsqueda
Richard Dadd (1 August 1817 – 7 January 1886) was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail. Most of the works for which he is best known were created while he was a patient in Bethlem ...
9 de feb. de 2012 · Richard Dadd was a Victorian painter best known for his depictions of fairies and other supernatural subjects painted with obsessively minuscule detail. Nicholas Tromans, author of The Artist and the Asylum, heads behind the scenes at Tate and Cambridge’s Fitzwilliam museum to tell us the tale of The Fairy Feller’s Masterstroke.
Richard Dadd (1 August 1817 – 7 January 1886) was an English painter of the Victorian era, noted for his depictions of fairies and other supernatural subjects, Orientalist scenes, and enigmatic genre scenes, rendered with obsessively minuscule detail. Most of the works for which he is best known were created while he was a patient in ...
Richard Dadd (Chatham, 1º agosto 1817 – Crowthorne, 7 gennaio 1886) è stato un pittore britannico. Appartenente al periodo vittoriano , è noto per la rappresentazione di fate e di altri soggetti soprannaturali , scene orientali ed enigmatiche scene di genere , rese con dettagli ossessivamente minuscoli.
10 de sept. de 2020 · Richard Dadd, Contradiction: Oberon and Titania,1854-1858.Olio su tela, 24×29.5. Collezione privata. Nel 1842, su invito dell’avvocato Sir Thomas Phillips, si unisce in qualità di disegnatore a una spedizione attraverso la Grecia, la Turchia e la Palestina che cambierà per sempre la sua vita.
Richard Dadd. La pintura en la que trabaja es Contradicción: Oberón y Titania (1854/1858). Su compañero de viaje percibió un cambio en la conducta del amigo, y lo envió de regreso a Inglaterra. Allí se le diagnosticó un “golpe de calor”, y se le prescribió reposo. Fue enviado a pasar una temporada al campo, con su padre viudo.
29 de jun. de 2021 · Titania Sleeping. 1841, oil on canvas by Richard Dadd (1817–1886) The Victorian fashion for fairy painting was tied up in the resurgence of enthusiasm for Shakespeare in the nineteenth century. In particular, the popularity of plays such as The Tempest and A Midsummer Night's Dream, in which fairies, and others belonging to the fairy world ...
