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Laurence Olivier och Vivien Leigh 1948. Sir Laurence Kerr Olivier, från 1970 Baron Olivier of Brighton ( Lord Olivier ), född 22 maj 1907 i Dorking, Surrey, död 11 juli 1989 i Steyning, West Sussex, var en brittisk skådespelare, regissör och filmproducent verksam vid Old Vic och chef för Englands nationalscen 1962–1973.
Laurence Olivier in a promotional still for Rebecca (1940). Laurence Olivier (1907–1989) was an English actor who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles.
Laurence Kerr Olivier [1], baron Olivier (ur. 22 maja 1907 w Dorking, zm. 11 lipca 1989 w Steyning) – angielski aktor, zdobył światową sławę dzięki rolom bohaterów szekspirowskich w teatrze i filmie, reżyser teatralny, producent. American Film Institute umieścił go na 14. miejscu na liście największych aktorów wszech czasów ...
Laurence Kerr Olivier ['lɒrəns 'kɜːr ə'lɪvieɪ] ( 22. toukokuuta 1907 Dorking, Surrey – 11. heinäkuuta 1989 Steyning, West Sussex) oli englantilainen Oscar -palkittu näyttelijä ja ohjaaja. [1]
18 de may. de 2024 · Laurence Olivier (born May 22, 1907, Dorking, Surrey, England—died July 11, 1989, near London, England) was a towering figure of the British stage and screen, acclaimed in his lifetime as the greatest English-speaking actor of the 20th century. He was the first member of his profession to be elevated to a life peerage.
Laurence Olivier, după 1947, Sir Laurence, după 1970, Lord Laurence, a fost un apreciat interpret Shakespeare-ian al secolului XX. Apare pentru prima dată în public la vârsta de 9 ani, în rolul Brutus în piesa Iulius Cezar . În 1929 , debutează în film într-o producție germană, O văduvă temporară .
Laurence Olivier interprète alors son premier grand rôle au cinéma, celui d'Heathcliff dans l'adaptation des Hauts de Hurlevent de William Wyler (1939), en Amérique. Pendant le tournage, Wyler et Olivier ne s'entendent pas sur l'interprétation de l'acteur qui tient à conserver ses techniques théâtrales. À la longue, Olivier admet que Wyler a raison et lui reste toujours reconnaissant.
