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10 de jul. de 2023 · William Butterfield, Marble pavement. Plan and side elevation for the floors of the chancel, transepts, and lower vestry of All Saints’ Church, Babbacombe, 1872. RIBA Drawings Collection. Butterfield had pioneered the revival of decorated encaustic tile for paving churches in the 1840s.
10 de mar. de 2017 · William Butterfield. His commission for the Ecclesiological model church in Margaret Street made Butterfield almost immediately one of the major architects of the mid-century. — Paul Thompson (1971)
6 de dic. de 2023 · William Butterfield had little more than 100 square feet of real estate to work with, but designed perhaps the greatest example of High Victorian Gothic architecture. The spire soars 227 feet above London and its interior is a kaleidoscope of color and pattern that expresses the vision of the Oxford Movement and the Ecclesiological Society.
8 de sept. de 2023 · William Butterfield was a leading figure in the Gothic Revival movement in the 19th century. All Saints is widely regarded as his masterpiece. Whereas previous Gothic architecture of the period broadly copied medieval buildings, Butterfield took the style into new directions. His use of brick and application of polychromy (decorating in a range ...
Hace 5 días · William Butterfield. (1814-1900), Architect. Later Victorian Portraits Catalogue Entry. Sitter in 1 portrait. An architect, Butterfield's High Anglican religious beliefs were reflected in his work. All Saint's Margaret Street, London, marked a turning point both in Butterfield's career and in ecclesiastical architecture in Britain.
All Saints, Margaret Street, is a Grade I listed Anglo-Catholic church in London. The church was designed by the architect William Butterfield and built between 1850 and 1859. It has been hailed as Butterfield's masterpiece [1] and a pioneering building of the High Victorian Gothic style that would characterize British architecture from around ...
6 de dic. de 2017 · William Butterfield. Nothing Permitted But What Has Been Foreseen. William Butterfield eschewed the illustrative perspective, preferring instead to develop even his studies as contract drawings that would serve three tasks: as presentations through which a project could be comprehended, as instructions from which his contractors and clients ...
