Resultado de búsqueda
21 de mar. de 2024 · Revered as an avant-garde touchstone, the album stands tall today as the Chicago pianist’s greatest achievement. Listen to Andrew Hill’s Point of Departure now. Andrew Hill Blue...
- Charles Waring
21 de mar. de 2024 · “Point of Departure” was recorded in a single session on March 21, 1964, at the Van Gelder Studio in Englewood Cliffs, New Jersey. The album features Hill leading a stellar sextet, including Eric Dolphy on alto saxophone, bass clarinet, and flute, Joe Henderson on tenor saxophone and flute, Kenny Dorham on trumpet, Richard Davis ...
Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams .
- Avant-Garde Jazz
Point Of Departure is also considered Andrew Hill’s best and most important album – it is the standard against which the pianist was measured for the rest of his life. Even 36 years later, he revived this sextet instrumentation with new personnel – Marty Ehrlich acted as Dolphy’s representative.
- Hans-Jürgen Schaal
Point of Departure: Blue Note 1965 Sextet, with Eric Dolphy (flute, bass clarinet, alto sax), Joe Henderson (tenor sax), Kenny Dorham (trumpet), Richard Davis (bass), Tony Williams (drums) 1964-06 Andrew!!! Blue Note 1968 Quintet, with John Gilmore (tenor sax), Bobby Hutcherson (vibes), Richard Davis (bass), Joe Chambers (drums) 1965 ...
8 de oct. de 2016 · Hill's New Point of Departure Sextet, named for one of his best-known Blue Note albums, was convened for the Texaco Jazz Festival of 1998 at the suggestion of Michael Dorf of the Knitting Factory, with advice from James Brown of the club Sweet Basil; the New York Times, calling Hill “one of the 1960's jazz heroes,” said the ...
Hill's New Point of Departure Sextet, named for one of his best-known Blue Note albums, was convened for the Texaco Jazz Festival of 1998 at the suggestion of Michael Dorf of the Knitting Factory, with advice from James Brown of the club Sweet Basil; the New York Times, calling Hill "one of the 1960's jazz heroes," said the sextet's first ...
