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Judy Clay – backing vocals ("Crazy Love" and "Brand New Day") Emily Houston – backing vocals ("Crazy Love" and "Brand New Day") John Klingberg – bass; Jef Labes – clavinet, organ, piano; Gary Mallaber – drums, percussion, vibraphone; Guy Masson – congas; Van Morrison – harmonica, production, rhythm guitar, tambourine ...
La banda contó también con una sección de vientos integrada por Jack Schrorer al saxofón y Collin Tilton a la flauta, así como con los coros de The Sweet Inspirations (Jackie Verdell, Emily Houston y Judy Clay), quienes volvieron a trabajar con Morrison en His Band and the Street Choir (1970).
The brilliant engineer Elliot Scheiner, mentored by A&R’s Phil Ramone, says it was all recorded on 8-track, one-inch tape: one track for Morrison’s vocal, one for his guitar, and single tracks for background singers (Judy Clay, Emily Houston and Jackie Verdell), lead guitar (John Platania), percussion (Gary Mallaber), bass (John Klingberg ...
1 de dic. de 2023 · He met guitarist John Platania in Woodstock and the pair became long-term collaborators. John Klingberg (bass), Gary Malabar (drums), Guy Masson (congas) and female back-up vocalists Emily Houston (of The Sweet Inspirations), Judy Clay (who had several hit singles with Billy Vera) and Jackie Verdell made up the session band.
27 de mar. de 2023 · Jonathan Cornell. 03/27/2023. 3 min read. Moondance (1970) was Irish singer-songwriter Van Morrison’s second studio album, originally recorded at legendary producer Phil Ramone’s A & R studios in New York City and mixed by then-novice staff engineer Elliot Scheiner (who’d go on to work with Steely Dan, Toto, The Eagles, and other notable ...
18 de oct. de 2013 · Van Morrison - Moondance. 4:38. View credits, reviews, tracks and shop for the 2013 All Media release of "Moondance" on Discogs.
28 de oct. de 2013 · The lyrics to virtually every song on Moondance are thematically linked, with the power of nature and the elements holding great sway over Morrison’s writing. Water rejuvenates and revitalizes on the rootsy, soulful, horn-flecked opening track “And It Stoned Me,” and the imagery recurs on “Crazy Love” (“I’m running to her like a river’s song”).
