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61 x 51 cm. Location. Dalí Theatre-Museum. A spectre full of irony, where an amorphous, soft face appears, supported by crutches, which Dalí considered his self-portrait, with a pedestal that bears the inscription of the title of the work and, above, a slice of fried bacon, a symbol of organic matter and of the everyday nature of his ...
Soft Self-Portrait with Fried Bacon, 1941 by Salvador Dali. A specter full of irony, where an amorphous, soft face appears, supported by crutches, which Dali considered his self-portrait, with a pedestal that bears the inscription of the title of the work and, above, a slice of fried bacon, a symbol of organic matter and of the everyday nature ...
7 de dic. de 2016 · Short Films. Added: 27 Mar, 2024. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Soft Self-Portrait with Fried Bacon’ was created in 1941 by Salvador Dali in Surrealism style.
Soft Self-Portrait of Salvador Dali: Directed by Jean-Christophe Averty. With Gala Dalí, Donyale Luna, Tony Kina, Suzan Lancaster. A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.
- (142)
- Documentary, Biography
- Jean-Christophe Averty
- 1969-12-29
In 1970, the French director Jean-Christophe Averty traveled to Spain, to the little seaside village of Portlligat, where he shot a 52 minute documentary called A Soft Self-Portrait of Salvador Dali. Orson Welles narrates the film and layers in some traditional biographical elements.
1941. Técnica. Óleo sobre tela. Dimensiones. 61 x 51 cm. Ubicación. Teatro-Museo Dalí. Espectro lleno de ironía, en el que aparece un rostro amorfo, blando, sujeto por muletas, que Dalí considera su autorretrato, con un pedestal que lleva inscrito el título de la obra, y, encima, un trozo de panceta frita, símbolo de la materia ...
19 de may. de 2024 · The other self portrait featured in this page was titled Soft Self-Portrait with Fried Bacon and continues Dali's habit of using melting items within his work. Most famously, of course, he used melting clocks , but in this case it is his own face which slowly falls apart whilst held up on a plinth.
