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In English literature, Don Juan, written from 1819 to 1824 by the English poet Lord Byron, is a satirical, epic poem that portrays the Spanish folk legend of Don Juan, not as a womaniser as historically portrayed, but as a victim easily seduced by women. As genre literature, Don Juan is an epic poem, written in ottava rima and ...
- Lord Byron
- 1819
Lord Byron Don Juan: Canto 03. Hail, Muse! et cetera.—We left Juan sleeping, Pillow'd upon a fair and happy breast, And watch'd by eyes that never yet knew weeping, And loved by a young heart, too deeply blest To feel the poison through her spirit creeping, Or know who rested there, a foe to rest, Had soil'd the current of her sinless years ...
10 de sept. de 2020 · Historia y forma. Un resumen épico. Resumen de la lección. Objetivos de la lección. Obra maestra satírica de Byron. Cuando piensas en ‘Don Juan’, ¿qué te viene a la mente? ¿Mujeriego? ¿Seductor? ¿Quizás Johnny Depp? Quizás ninguna de esas cosas, y eso también está bien.
Lord Byron escribió la poesía épica “Don Juan” entre 1818 y 1824. El poema se inspiró en la leyenda del libertino español Don Juan, pero Byron lo usó como una parodia de los poemas épicos tradicionales. El poema está escrito en estrofas de dieciséis líneas cada una, con rima asonante.
The most flamboyant and notorious of the major English Romantic poets, George Gordon, Lord Byron, was likewise the most fashionable poet of the early 1800s. He created an immensely popular Romantic hero—defiant, melancholy, haunted by secret guilt—for which, to many, he seemed the model.
Moore (_Life_, 421) says that Byron was at work on the third canto when he stayed with him at Venice, in October, 1819. "One day, before dinner, [he] read me two or three hundred lines of it; beginning with the stanzas "Oh Wellington," etc., which, at the time, formed the opening of the third canto, but were afterwards reserved for the commencement of the ninth."
Don Juan, cantos III, ... Corresponds to the 1st edition, described by E. H. Coleridge in the bibliography appended to his edition of Byron, v. 7 (1904) p. 210
