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Gregg Toland, A.S.C. (29 de mayo de 1904-28 de septiembre de 1948) fue un director de fotografía estadounidense conocido por su uso innovador de la iluminación y técnicas como la profundidad de campo, ejemplos de los cuales se pueden encontrar en su trabajo en Citizen Kane (Orson Welles, 1941), Los mejores años de nuestra vida ...
Gregg Wesley Toland, A.S.C. (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and ...
Gregg Toland (1904-1948) Cinematographer. Camera and Electrical Department. Director. IMDbPro Starmeter See rank. Born in Illinois in 1904, the only child of Jennie and Frank Toland, Gregg and his mother moved to California several years after his parents divorced in 1910.
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- Charleston, Illinois, USA
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- Hollywood, Los Angeles, California, USA
11 de abr. de 2024 · Gregg Toland (born May 29, 1904, Charleston, Illinois, U.S.—died September 28, 1948, Hollywood, California) was an American motion-picture cinematographer known for his brilliant use of chiaroscuro and deep-focus camera work. Toland got his start in the film industry at the age of 15, working as an office boy at the Fox studio.
- The Editors of Encyclopaedia Britannica
6 de jun. de 2017 · Gregg Toland, ASC — An Enduring Legacy. An in-depth look at one of the most influential filmmakers of all time — a true ASC great who elevated the art and craft of cinematography. George E. Turner. The first thought that struck anyone who met Gregg Toland was that he appeared frail, even ill.
- George E. Turner
May 29, 1904 · Charleston, Illinois, USA. Died. September 26, 1948 · Hollywood, Los Angeles, California, USA (coronary thrombosis) Birth name. Gregg Wesley Toland. Height. 5′ 1″ (1.55 m) Mini Bio.
11 de jun. de 2006 · The Cameraman | The New Yorker. Annals of Hollywood. The Cameraman. By Hilton Als. June 11, 2006. The New Yorker, June 19, 2006 P. 46. ANNALS OF HOLLYWOOD about pioneer cinematographer Gregg...
