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  1. en.wikipedia.org › wiki › Joseph_BirocJoseph Biroc - Wikipedia

    Joseph Francis Biroc, ASC (February 12, 1903 – September 7, 1996) was an American cinematographer. He was born in New York City and began working in films at the Paragon Studios in Fort Lee, New Jersey. After working there for approximately six years, he moved to Los Angeles.

  2. Camera and Electrical Department: The Towering Inferno. Joseph Biroc was destined to become one of the most versatile cinematographers in Hollywood, working on films of almost every genre. He started as a lab assistant in 1918, based at Paragon Studio, located in America's first 'film capital', Ft.Lee, New Jersey.

    • January 1, 1
    • New York City, New York, USA
    • January 1, 1
    • Woodland Hills, Los Angeles, California, USA
  3. Male. Birth Details. February 12, 1903. New York, New York, United States. Death Details. September 7, 1996. Woodland Hills, California, United States. Famous Works. Credits; Film Work; Camera Operator, Except as Indicated. Second cameraman (uncredited), Are These Our Children?, 1931.

  4. Biografía de Joseph F. Biroc y su filmografía, todas sus películas: ¡Ataque!, Cuidado con el mayordomo, 40 pistolas, Canción de cuna para un cadáver, El asesinato de la hermana George.

  5. Géneros. Desglose por tipo. Acreditado con. Joseph F. Biroc (1903 - 1996) fue un director de fotografía de Estados Unidos conocido por Aterriza como puedas, ¡Qué bello es vivir!, El coloso en llamas, Aterriza como puedas II, Huida del planeta de los simios, Sillas de montar calientes, Canción de cuna para un cadáver, El vuelo del Fénix ...

  6. Joseph F. Biroc is known as an Director of Photography, Camera Operator, Cinematography, Actor, and Additional Photography. Some of his work includes Airplane!, It's a Wonderful Life, Blazing Saddles, Airplane II: The Sequel, Escape from the Planet of the Apes, The Towering Inferno, The Flight of the Phoenix, and The Longest Yard.

  7. 27 de oct. de 2016 · Birocs shimmering use of light and shadow is what earned him his first Oscar nomination for Best Black-and-White Cinematography at the age of 62. It was a nomination long in the making, one of seven the film received overall.