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Giovanni Salviati (Florencia, 24 de marzo de 1490 - Rávena, 28 de octubre de 1553) fue un eclesiástico italiano. Biografía. Hijo de Jacopo Salviati y de Lucrezia de Medici, su tío León X le creó cardenal diácono de SS. Cosme y Damián en el consistorio de 1517; su hermano Bernardo alcanzaría la misma dignidad en 1561.
Giovanni Salviati. Portrait, oil on canvas, of Giovanni Salviati (1490–1553) by Pier Francesco Foschi (1502–1567) Giovanni Salviati (24 March 1490 – 28 October 1553) was a Florentine diplomat and cardinal. [1] He was papal legate in France, and conducted negotiations with the Emperor Charles V .
The role of nature and art (and artifice) is far Sarto (1486-1530). Then, in 1531 he moved to from alien to the discussion of aesthetics in the Rome, where he became a protege of Cardinal first half of the sixteenth century. Baldassare Giovanni Salviati (1490-1553), whose name he.
Biography. Florentine Mannerist painter, a pupil of Andrea del Sarto. Originally Francesco de' Rossi, he adopted his name from his patron Cardinal Giovanni Salviati, with whom he went to Rome c. 1530 and for whom he painted the work that established his reputation there - the frescoes in the Oratorio di San Giovanni Decollato, Rome (1538).
1 de may. de 2022 · Giovanni Salviati (1490 – October 28, 1553) was an Italian Cardinal [1] and diplomat. He was papal legate in France, and conducted negotiations with the Emperor Charles V. Salviati was born in Florence to Jacopo Salviati, son of Giovanni Salviati and Maddalena Gondi, and Lucrezia di Lorenzo de' Medici, elder daughter of Lorenzo de' Medici.
- Florence, Tuscany
- Tuscany
Con la morte di Leone X, la carriera di Salviati subì un arresto, ma riprese con slancio dopo l’elezione di Clemente VII, che dal novembre 1524 gli affidò l’importante legazione di Lombardia, in un periodo di intenso conflitto militare franco-asburgico. Poco prima della battaglia di Pavia accolse a Piacenza il cognato Giovanni de ...
Francesco Salviati's 'Visitation". FROM without, the Oratorio of S. Giovanni Decollato is not and Sarto's scene in the Chiostro dello Scalzo, to recognize impressive. Its architectural modesty, which appears dic- that, if Salviati was Florentine by birth and training, he tated by a strictly utilitarian purpose on the part of the by 1538, a ...
